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Summer at Union Square Tokyo
Summer 2007
Union Square Tokyo’s Preview Menu
Recently, I made a trip to Union Square Tokyo – our “cousin” restaurant in the heart of Tokyo’s Roppongi area – to check on the progress since its spring opening, and also to teach Chef Yoshi and his cooks new recipes for their summer menu. For its initial year, each new season will be a first, bringing with it much to teach and to learn.
Before I left, I had heard many comments from my Japanese friends here in New York about what to expect weather-wise in Tokyo in July. These remarks were usually accompanied by a heavenward rolling of the eyes, and a resigned, sad, little shaking of the head. The term “mushi-atsui” came up often, which translates as “humid-hot”. Though the “mushi” part of that phrase very accurately depicts how I felt for the entirety of my stay, the translation really doesn’t even begin to describe it.
Remember that day this past August here in NYC when the skies opened up and the city and its subways literally shut down?
Well that happened at least three or four times a week throughout the three weeks I was in Tokyo. (To the credit of that city’s infrastructure, nothing shut down, or even missed a beat!) Not since my trip to Mumbai (then Bombay) with Chef Floyd Cardoz of Tabla do I recall humidity like we experienced in Tokyo. I often found myself staring out of amazement and sympathy for the hordes of “salarymen” trudging to work in their identical black suits (collars buttoned and ties in place) when the heat and humidity were just staggering. It was interesting to read a recent New York Times article about a decree set forth by the Japanese government to raise consciousness about the over-use of natural resources. The mandate curtailed the use of air-conditioning in offices, and permitted salarymen to undo their ties and remove their jackets!
Once again, it was thrilling to cross the threshold of Union Square Tokyo and greet my restaurant “family”. The warm welcome I received was truly gratifying, and I was happy to note that there had been very little turnover in staff since the opening.
The restaurant felt more confident and sure-footed. The infant I left in late April was now a toddler, up and running around! In the kitchen, I noticed that Chef Yoshi had found even more ingenious ways to cram storage and work spaces into his cramped, little domain. When I had originally worked with the designers to lay out the kitchen space on paper, I never in my wildest imagination could have conjured up all the nooks and crannies Yoshi had carved out. While on the subject, I’m not sure if I’ve ever expressed my wonder and admiration for the way cooks in Tokyo are able to operate in such tight spaces. In this kitchen, one does not really “walk” anywhere. It’s more about side-stepping, sliding, wiggling, hopping over, and dodging. There were days when I’d be standing at the threshold of the kitchen, tying on my apron, and I’d imagine myself a human pinball about to be launched into a space packed with pitfalls and obstacles, where I’d spend the next 10-12 hours caroming off unyielding objects and very polite people. And that politeness and spatial awareness is the key to how well the kitchen is able to operate: I’ve never seen a flare-up or confrontation occur as a result of pressure from the tight quarters, and that makes things a lot easier to manage.
I quickly settled in and began working with Yoshi, his Sous-Chef Ryoichi, and the crew to teach the new summer recipes. The plan was to feature the new items in a week-long “preview”. This took the form of a prix-fixe 6-course tasting menu (offering two choices in each course), which would be the exclusive menu at dinner. After the preview period, the new items would be rolled into the more extensive summer menu. The great thing about this idea was that it enabled the cooks to become very familiar with the food by focusing on fewer dishes. It is a strategy we will continue to follow in the future. Click here to view the preview menu.
One of the things I look for relentlessly when I’m in the kitchen at UST is the very thing I strove for most energetically when I arrived at Union Square Cafe 19 years ago: consistency. I firmly believe that one of our top priorities vis-à-vis our guests is to ensure that the meal you had 20 years ago and the meal you had yesterday deliver the same high quality and satisfaction. And of course, that applies to the service and hospitality in the dining room as well. It is something I know the good people at UST will grow tired of hearing from me!
Finally, there is another wonderful facet to my life in Tokyo that I would like to share with you. I stay in a furnished apartment in a very quiet residential section of Roppongi, nestled in between the new Tokyo Midtown development (home to UST) and the vast Roppongi Hills complex. Both of these are amalgams of high-end retail shops, corporate offices, exclusive residences, museums and entertainment centers. And yet when I am “home” in my apartment, or out and about the neighborhood, I feel like I’m living in a little village.
The shops, bars and restaurants have all become familiar landmarks. One of my favorite sushi restaurants anywhere, the eponymous “Nakamura” (Tel: 03-3746-0856), is just around the corner, and I love to drop by late at night after UST closes to watch (and taste) the exquisite work Nakamura-san performs. He stands alone behind a 15-or so person counter, made of gorgeous Hinoki wood, and his sushi is just a miracle in your mouth. As I continue on my way home in the evening, I pass a Flamenco dance studio with its large picture window open to the street. The sight of young Japanese women clad in mantillas, flicking fans and clicking castanets as they tap out the staccato dance steps may be a bit incongruous, but I must confess it never fails to bring a smile to my face!
I love getting to know the shopkeepers in my neighborhood, and seeing, over time, that glint of recognition in their eyes when I enter their establishments (OK, I guess I do stand out!). One such wonderful moment happened at the small, family-owned dry cleaner’s shop around the corner (kitchen work is tough on clothes!). I had stopped in to pick up my shirts, and found myself entranced by the koto music playing on the shopkeeper’s miniature boom box. The koto, as you may know, is a 13- (or more) stringed, traditional Japanese instrument derived from the Chinese zither, which has been used in the west by the likes of David Bowie and Led Zeppelin. Rummaging through my limited Japanese vocabulary, I somehow found the words to tell the proprietress how much I was enjoying the music. She beamed, and reached behind her to produce a photo of her talented young granddaughter, who in fact was playing the music on the recording I was hearing. I can tell you that our mutual expressions of delight at that moment greatly exceeded the language capabilities we each possessed!
Since my first trip in March, I have been receiving all manner of gracious comments from you about the notes I kept during that trip (see USC website “Michael Romano’s Tokyo Diary”). You have told me in person and through emails and letters how much you’ve enjoyed my reflections on what I was experiencing in the kitchen, and in Tokyo. I am very grateful for that—it is great motivation to continue writing. I’ll be writing more during and after my next trip to Tokyo scheduled for October of this year. Stay tuned!
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